Exclusive! Dispatches from The Paris End
In Australia, serious writing faces a gamut of challenges from a lingering suspicion of any elevated register to a shrinking literary market overshadowed by ravenous LLMs poised to ingest any work the moment it emerges. Now our second oldest literary magazine, Meanjin, has announced its impending closure, it leads me to wonder in darker moments if serious Australian writing has a future at all.
Into this breach step three writers, Cameron Hurst, Sally Olds and Oscar Schwartz, who met in a pub j...